Honoré de Balzac, Illusions perdues: du manuscrit à l'édition "Furne corrigé", ed. by Stéphane Vachon (n.p.: Verdier, 2010).
Wayne K. Chapman, Yeats's Poetry in the Making: Sing Whatever is Well Made (Basingstoke: Palgrave Macmillan, 2010).
The Collected Verse of Mary Gilmore: Volume 2, 1930-1962, ed. by Jennifer Strauss (Brisbane: University of Queensland Press, 2006).
Carla Mazzio, The Inarticulate Renaissance: Language Trouble in an Age of Eloquence (Philadelphia: University of Pennsylvania Press, 2008).
William Langland, The Piers Plowman Electronic Archive:6. San Marino, Huntingdom Library HM 128 (HM.HM(2)), ed. by Michael Calabrese, Hoyt N. Duggan and Thoriac Turville-Petre (Published for The Medieval Academy of America and SEENET by Boydell and Brewer, 2008).
Mark Nixon, ed., Publishing Samuel Beckett (London: The British Library,2011)
Nicholas Oldisworth's Manuscript (Bodleian MS. Don.c.24), ed. by John Gouws (Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies, in conjunction with Renaissance English Text Society, 2009).
The Troubadour Tensos and Partimens: A Critical Edition, ed. by Ruth Harvey and Linda Paterson, 3 vols (Cambridge: D.S. Brewer, Modern Humanities Research Association, 2010).
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